2/15/18

And so this week’s moment of happiness despite the news.

Boy, does that traditional opening line resonate today. Despite the news. It’s very, very hard to write about a Moment on the day after a school massacre, leaving 17 dead. All the Moments I’ve been sifting through, choosing between, suddenly seem trite and simplistic, next to the enormity of this newest tragedy.

But they aren’t, and I know this, even as I struggle to write it. One of the things I learned in the year of writing Today’s Moment every single day is that it’s sometimes the little things that give us something to hold on to. You know those rock-climbing walls? Those tall, sheer structures you struggle up handhold by foothold, and the whole goal is to get to the top? I’d never be caught dead on one of those, but when you look at them, it’s the handholds that make a difference. One grip at a time, you make it to the top.

So. This is my grip for the week. A handhold.

Last weekend, Michael and I traveled to Wausau, Wisconsin. The trip was Michael’s birthday present: tickets to a live performance of a radio drama by Wisconsin Public Radio, a stay in a nice hotel, and a chance to see a town in Wisconsin he’d never visited before. The hotel was indeed lovely, and on the first floor, it housed several small shops. I had a little time before the radio show, so I wandered through to see what was there. And I found a consignment shop.

You put me before a store that sells used ANYTHING, and I’m a happy camper. Goodwill, Salvation Army, St. Vincent De Paul, flea markets, antique malls, consignment shops…happy, happy, happy. For me, it’s not just about finding a treasure that is also a bargain. It’s about saving an orphan. I always see these items as being abandoned, and so I give them a new home. My condo is filled with orphans.

I only had a few minutes, but in that time, I found a great pair of earrings. I bought them and told the owner I’d be back the next day. Which I was.

As Michael and I walked in on Saturday, there, front and center, was a woman looking at herself in a mirror. She was in a gorgeous floor-length dress, bronze, beaded and glittered. It was form-fitting and it followed every curve on this woman the way a river follows its bends. She stood there in that classic “I am Woman!” pose, one hand on a cocked hip, the other draped oh so casually on her thigh. She was beautiful. But her face…her face wasn’t sure. Her mouth was scrooched to one side and she frowned. Her body showed confidence; her face showed excruciating doubt.

Without even thinking about it, I cried out, “You look stunning!”

She startled, then turned to me, that doubt-face in full bloom. “Really?” she said.

“Ohmygod,” I said. “Whoever made that dress was thinking of you. Look at you! It’s beautiful!”

There is no other word for it. She BEAMED.

“Thank you,” she said, and then she turned to the shop owner. “Sold!”

When we walked out of the store later, Michael said to me, “That was a nice thing you did.”

“What?”

“Telling that woman how great she looked. She just lit up. Did you see her light up?”

Well, then it was my turn to beam. I’ve been thinking about this all week.

I’ve been reading many articles and stories and such lately about how we should tell our daughters that they’re smart instead of beautiful. It’s the “instead of” that bothers me. I tell my daughters they’re smart. They are. I tell them they’re beautiful. They are. For that matter, I tell my sons the same thing.

There are times that we just want to be beautiful. To ourselves. And to the world. Every creature in Nature preens. So do we. So glory in it. Beam.

I hope that the woman in the consignment shop wears that dress often. And I hope her face is never scrooched in doubt again. I hope every time she wears that dress, she hears my voice saying, “You look stunning!” And I hope she hears her voice saying it too.

And yes, that helps. Despite. Anyway.

Olivia modeling the sweet dress I bought for her at this little consignment shop.
The back.

 

2/8/18

And so this week’s moment of happiness despite the news.

It was a difficult week, this first week without the dogs. Michael and I both realized that, with the exception of short stints in apartments during young adulthood, neither of us has ever been without a dog before. And our daughter, at 17 years of age, has always had a dog in the house. For the last 11 years of her life, there have been two. Blossom and Penny. And then Blossom and Donnie.

And now there are none.

I wasn’t aware how much noise the dogs created in our household. Or how much visual effect. The condo no longer jingles with the tags on their collars. Donnie’s tag was blue and treat-shaped and was engraved with his name. Blossom’s was pink and heart-shaped, and besides her name, also held the word Princess. Their toenails clicked on our concrete floors. Donnie talked constantly, emitting barnyard and zoo sounds out of his beagle mouth. They jumped up and down off the furniture. Sightwise, whenever I walked down the steps from the third to the second floor, my eyes automatically went over the banister to the couch in the living room, where two beagle heads lifted their noses toward me. Donnie usually jumped down and ran to me; Blossom winked or wagged a regal tail. They were at the door when we came in. They were at the door when we went out. Donnie’s nose was immediately there whenever anything opened: closets, cupboards, dishwasher.

This morning, when I took my box of cereal from the cabinet, I automatically closed the door, forgetting that I no longer had to. The cupboard can now stay open until I put the box away. There is no one to stuff his face inside, looking for crumbs.

It’s been a sad week.

The day the dogs died, I went to the humane society and made a donation in their names, arranging to have a plaque created for them which will be on a wall in the doggie kennel. This felt good, but it wasn’t right. I didn’t feel like they’d been acknowledged enough. Memorialized enough. We are having the dogs cremated and their ashes aren’t home yet, so I told myself I would feel better when the urns were here. But I was still bugged, poked, kinda like Donnie’s persistent nose on my calf when he was trying to get me to go faster (usually to the treat jar).

Sometimes, when we grieve, we feel driven to do unusual things. And mostly, we talk ourselves out of it. It’s not the proper way to grieve, we think. Olivia keeps asking me if she’s grieving “normally”, and I keep telling her that however you grieve is the right way. A couple days ago, as I said it to her, I heard it for myself.

The dogs’ collars have been sitting on our kitchen island. I was figuring on wrapping them around the urns, but in the meantime, there they were, misplaced, empty, sitting where the dogs were never allowed. And every day since their death, coming downstairs, I’ve faced that big empty couch. Donnie’s spot, on the left. Blossom’s, on the right. We’ve had that couch for years and I don’t know that I’ve ever sat on it. It’s where the dogs go.

Yesterday, I stood at the island and stared at the empty couch. It was my first day home alone without the dogs. Olivia was sick this week and was home on Monday and Tuesday. On Wednesday, it was just me and the cats. And the collars and the empty couch.

And I felt the unusual urge. Any way you grieve is the right way to grieve.

I picked up the collars and took them to the couch. Donnie’s collar, blue treat-shape lying flat and his name in full view, went on the left pillow. Blossom’s collar, heart out, name shining, went on the right.

The dogs were in their places. And I was able to breathe. In my mind, I heard the jingle. I saw Blossom’s wink. I heard Donnie’s donkey-call, my favorite of his vocabulary. I saw them both wagging their tails, Donnie’s in his odd happy twirly circle, Blossom’s in her regal queen wave.

I was forgiven for making the decision that had to be made.

And now, several times, I’ve been able to walk by the couch, pat the pillows, and say hello to the each of them. The couch is not empty. It’s full of memories. It’s full of them.

And yes, that helps. Despite. Anyway.

In their places.
Donnie on his pillow.
Blossom on her pillow (and then some).
The empty couch.
Donnie’s pillow with his collar.
Blossom’s pillow with her collar.

2/4/18

And so today’s moment of happiness despite the news.

And no, it has nothing to do with the Superbowl, Justin Timberlake, or holograms of Prince.

Last week, Today’s Moment reached its one-year anniversary and I said I would announce on this day what the future of Today’s Moment will be. But first…the Moment itself.

Well, the Moment IS the Moment, really. I spent a lot of time today, both in meditation and just in general, considering the Moment. What started out as a desperate whim (I’m overwhelmed, so I’m going to post one moment a day that made me happy on Facebook) became something much bigger. From a single sentence at the beginning to what I would now call quiet, unedited essays, I kept at it, writing just what came to mind. I was determined to not make the Moment a professional endeavor. I wasn’t writing for publication, I wasn’t writing for an audience. I wanted to keep it at a Moment that made me happy and examine why. That was a struggle for me as I became aware that there was indeed an audience – an audience that caused my website to crash several times because of traffic! I’m a professional writer, I tend to even edit my thoughts and whatever I say before I say it, not to mention edit everything I read, from news articles to books to comic strips. But I wasn’t going to edit, I wasn’t going to improve the pieces – in a sense, Today’s Moment is Kathie Giorgio – Unplugged.

I’ve learned so much from writing the Today’s Moments. I learned, first of all, that there is at least one Moment in almost every day. Even on dark days. I might have to look for it, but it’s there. And that was a lesson unto itself – happiness is an active endeavor. It isn’t something that just comes along and happens to you. Sometimes you have to look for it.

So I’ve learned to look.

But alternatively, I’ve also learned to honor sadness and anger and fear. I couldn’t chase these away by writing about a Moment of Happiness. I couldn’t chase them away by becoming aware of a Moment either. A Moment isn’t a pill I could take to chase these negative emotions away. There is no pill, no prose, no prettiness that will keep a person happy one-hundred percent of the time. Today’s Moment allowed me to release a very unrealistic expectation – that if I could just find One Big Thing to make me Happy, I would never ever be unhappy again.

But finding that One Moment helped me to navigate through some pretty dark times. It gave me the one good thing to hang onto. Some days, that was like holding onto a rope while dangling off a cliff.

One of my favorite Moments is the one where I was told I didn’t have to be strong all the time while I was going through breast cancer. That I could be scared, that I could be sad, that I could be weak. That illustrates what I’m trying to say about the unrealistic expectation. I know now to look for the Moment of Happiness, but not to expect that finding it means I’m going to waltz down whatever path opens before me next.

But the Today’s Moment does keep me looking ahead and looking up. My favorite quote from literature, which is engraved into a ring I wear every day, is from John Irving’s The Hotel New Hampsire: “Keep walking past the open windows.” I’ve now edited it a bit, to “Keep looking for Today’s Moment.”

So what’s going to happen to Today’s Moment Of Happiness Despite The News, now that I’ve reached my goal of one solid year?

It’s not going away, but it is changing. It’s going to become This Week’s Moment Of Happiness Despite The News. I will only post it one day a week, and I’ve chosen Thursdays, at least to start. There has been no small amount of pressure, trying to come up with something every day. I’m looking to relieve that pressure, but also to expand my vision and understanding. I think that by having to sort through many moments every week to pick out just one to share, I will become further aware of just how many Moments there are in this world and in every life. I’ll give it a shot.

If you are worried that you might forget to check my website on a Thursday, then just click on the button that says “subscribe” on the upper right of this page . Then you’ll receive a notification when each new Moment appears.

When I look back on this year, I could be focused on the many bad things that happened. I had to deal with an assault, my daughter’s being bullied, my husband’s job losses, and above all, breast cancer. But what I focus on instead is the amazing coincidence (if you believe in coincidences) of my starting Today’s Moment at a time when it would turn out that I needed it most. It got me through. And everyone involved, by reading the Moments, by commenting on them and discussing them, got me through too.

Incredible.

And yes, that helps. Despite. Anyway.

(Look for the next Moment on Thursday! )

A new year – a new title.

8/7/17 – Today’s Moment of Happiness Despite the News

*Amendment to this post: Today’s Moment’s of Happiness Despite the News has been taken down but will be available in September of 2018 in book form! The below unaltered text is a peek at what you’ll find in the upcoming book.


And so today’s moment of happiness despite the news.

So here’s something you might not know about recovering from breast cancer. It’s something I didn’t know until recently.

When you have a lumpectomy, as I did, you expect to feel some pain. You expect there to be incisions. You probably expect there to be some bruising. You might even expect there to be itching as it heals (though I swear, with the itching I have, I think someone implanted fleas below my skin’s surface).

What you might not expect is that the breast feels heavy. And I mean HEAVY.

I was told that I would likely feel most comfortable wearing a bra around the clock after surgery, at least for a few weeks. I did for a while (I’m two weeks out), though when I sleep now, I’m back to free and easy. But during the day…the bra is very necessary. And I am constantly aware of the weightiness of my right breast. Unlike some women, I don’t name my breasts. I don’t call them the girls. But I have, in the last few days, referred to the right breast as PudgePocket, the Continental Soldier (after the girls’ locker room version of Do Your Ears Hang Low: Do your boobs hang low, do they wobble to and fro, can you tie them in a knot, can you tie them in a bow, can you throw them over your shoulder like a Continental Soldier…) and YankEmUp. It feels very strange because I’m used to the two of them being in balance. But I am definitely listing to the right.

I was aware, and I wasn’t, that I’ve begun helping out the bra by supporting my right breast in my hand.  Some people walk with their hand in their pocket or they jingle their keys or some other mannerism. Right now, I hold my breast in the palm of my hand.

Which is fine, around the house, donchaknow.

Today, I went to the bank. I had to stand in line in the cow corral for quite a while. So I glazed a bit. Finally, I made it to the next available teller’s window. It was Sheri, my favorite teller, someone I’ve known now for 12 years. She helped me with the very first deposit into my business account and she’s watched the business grow with almost as much joy as I have. She’s also cheered every book release. In my new novel, In Grace’s Time, a bank teller plays a minor role. I named her Sheri.

Sheri is also aware of the breast cancer. She is a soft-hearted and quiet support.

So I stepped up today with a smile on my face and my bank bag ready to go. Sheri leaned forward. “Kathie!” she whispered. “Let it go!”

I was puzzled. “Let what go?”

She did a fast series of eye push-ups, up, down, up, down, up, down, from my face to my…right breast.

Which was held firmly and lovingly in my right hand.

“Shit!” I said, probably loudly enough to be heard. And then I howled. So did Sheri. So did the other tellers. The people in line and at the other windows, well, they weren’t quite sure what to do. I mean, there was this strange woman groping her own breast in line at the bank.

When I could stand upright again, I let poor Pudgepocket go. And I turned to face the other customers. “It’s okay,” I said. “I’m sorry if I made you uncomfortable. See, she’s in recovery. I had surgery two weeks ago for breast cancer. She’s still limping a bit, and I sometimes have to give her a lift.”

Lights of realization went off in everyone’s faces. Some more than others, among the women. And I turned, smiling, back to Cheri.

I hope I’ve paved the way for other women, holding, supporting their own recovering breasts.

Last week, I found myself scratching the impossible flea-under-the-skin itch while I was in Starbucks. But we’re not going to talk about that.

And yes, that helps. Despite. Anyway.

Hands on breast.

7/15/17

*Amendment to this post: Today’s Moment’s of Happiness Despite the News has been taken down but will be available in September of 2018 in book form! The below unaltered text is a peek at what you’ll find in the upcoming book.


And so today’s moment of happiness despite the news.

Today, I brought my husband alarm clock shopping.

Yes, my life is one exciting event after another.

But here, I really was excited. My husband has had the same digital alarm clock since he was in eighth grade. Michael is fifty-two years old. He received the clock as a gift for Christmas in 1977. From “Santa”. That would make 40 years with this clock when we hit Christmas this year.

So first off, yes, I’m a bit weirded out about the fact that Michael was in eighth grade the year I graduated from high school (he got the clock in December 1977 – I graduated six months later in June 1978). I feel a little bit dirty now. Geez.

And second, yes, I wonder about an eighth grade boy who still believed in Santa. But this is Michael, after all.

But really. A 40-year old alarm clock?

He has a name for it. He calls it Clocky.

And it really doesn’t work all that well. He’s missing the plastic window in front of the numbers. His buttons are worn and half pushed in. Michael constantly thinks that he set Clocky, but it doesn’t take. Which means this slow-waking man suddenly has to come zip into consciousness on some mornings and charge off to work. Michael is not a charger. He’s also very used to the truly obnoxious noise Clocky vomits when he goes off. It’s not a clock radio – there is only this very alarming (hence the word “alarm”, I suppose) buzz/shriek/air raid siren that still makes me, after seventeen years of marriage, sometimes startle straight up in bed. But Michael sleeps through it. He automatically hits snooze without even really hearing it. He tells me he only does it a certain number of times, and he tells me this when that certain number of times is long gone.

I’m sure Clocky was a good clock. But he needs to be retired. He’s put in forty years with a boy turned adolescent turned college student turned young man turned adult turned husband and stepfather turned father turned grandfather…the clock has had a good long run. He’s tired. He doesn’t want to wake up in the mornings anymore. He wants a life without snoozes.

And I really, really don’t like the damn thing.

So today, I dragged Michael to Bed, Bath and Beyond. I told him to pick out whatever alarm clock he wanted. He chose one that looks like a big globe that changes colors. You can program it to pulse light according to music or just gently change color to color as you fall asleep. The lights will come on gradually as you wake up. It plays music. You can charge your phone with it. If it made a cup of coffee and had it piping hot and at your bedside upon waking, I would have bought two of them.

I don’t think it has a name yet. And I know Michael will be a little bit sad when he plugs it in and sets it up tonight.

So I’ve encouraged him to leave Clocky plugged in and resting on the corner of the bedside table, next to the photo of Michael and his father when Michael was just a toddler. Clocky can still beam the time out in bright red digital letters and Michael can still see him every night, every morning.

Just like he can see me every night and every morning.

Just don’t turn Clocky on.

That doesn’t apply to me.

It’s a compromise, the guiding light of all good solid marriages. And frankly, if Michael can hold on to a clock for forty years, even after it’s not working so well, I figure he’ll hold on to me too.

And yes, that helps. Despite. Anyway.

Clocky.

2/25/17

*Amendment to this post: Today’s Moment’s of Happiness Despite the News has been taken down but will be available in September of 2018 in book form! The below unaltered text is a peek at what you’ll find in the upcoming book.


Today’s moment of happiness despite the news.

Actually, today’s moment of happiness also led to my largest moment of agitation since this past Monday.

I had to go bow-shopping. Not bows for hair or bow-ties, but bow as in for a violin. I didn’t know that bows had to be replaced; I guess I never really thought about it. But it was bow-time.

Olivia and I went to the White House of Music. We were turned over to their “bow-man” and led to a quiet room filled with lovely violins, violas, cellos and basses, just off the sales floor. There was a place for me to sit, a chair on a small carpet atop a gleaming hardwood floor. It was like a teeny recital hall.

Our bow-man told me that bows are priced anywhere from $150 to $700, and I nearly fell out of the chair. If you remember, Michael just lost his job this last Monday.

But I moved ahead.

When he handed her the first bow to try, Olivia quickly went through the scales. Then she began to play. It’s a piece she’s working on for the solo/ensemble competition coming up. I was watching the bow-man, who was pulling out other bows and lining them up. About five seconds into Olivia’s song, I saw his eyebrows go up. He turned and listened to Olivia. And then he sat down.

Outside the little recital area, through the glass doors, I saw the people behind the sales counter stop and turn. I saw customers stop shopping and lift their heads. One woman stood with her eyes closed, hands clasped.

And then I tumbled into the music too. Olivia and that violin – they SING.

This is the girl I was once told would always look at me like I was a wooden log. And this is the girl who, even as I was told this, took a moment every few seconds to touch my shoe, my knee, my arm, to look up into my face.

Are you there, Mama?

I am always here.

On this day, in this moment of happiness, she stopped the world. She owned it.

When we moved on, when she spoke to the bow-man, discussing how the different bows felt, I doubt he ever once thought she was autistic. He saw her as she is. An incredible young woman. My little girl.

He told me how much the favored bow was. I hesitated. But then I bought it. Despite Monday. Anyway.

Goddammit, I will not cut corners with this child. I will not. I had to with the first three, which I will regret for the rest of my life, and she is my last chance to get this right.

Are you there, Mama?

I am always here.

Michael will get the job when he interviews on Tuesday. He will. I will not let it go any other way.

I love this girl more than I can ever say.

And yes, this helps. Despite. Anyway.

Olivia with her violin. Photo by Ron Wimmer of Wimmer Photography
Olivia with her violin. Photo by Ron Wimmer of Wimmer Photography

On Left, Right, and In the Middle (Nope, Not Political)

Rise From the River Cover

Tonight, despite having a lot of work to finish, I set it all down and went for a walk on Waukesha’s Riverwalk. I was restless, tired and keyed-up at the same time, and overcome by too many emotions to sort out. So I let the propulsion of the emotion fling me outside and down the alternately cobblestoned and asphalt path of the 3-mile loop. It’s formally called the Riverwalk. I call it the Respite.

On my Facebook page and a few other places, I refer to myself a living breathing rollercoaster. I mean it. I loopdeloop through emotions like a heavily engineered amusement park nightmare. For the most part, I deal with it. But this last week was a series of hairpin turns, upside-downs, and fifty-story drops.

As I set off down the path, I decided to construct my steps to my thoughts. When I was thinking of the happy, exciting things happening now, I’d walk on the left. When my thoughts churned over to the sadness and anger that bullied me out of the happy, I’d walk on the right. I hoped that by putting the physical to the emotional, I could get a grip on the steering wheel of the runaway coaster and maybe tame it down to a kiddie ride. I like merry-go-rounds.

The things that sent me to the left:

*Tandem book debut in one week. Books five and six, one a collection of some of my stories published in literary magazines and one my first poetry chapbook, released at the same time, and in an event to raise funds for a cause I love – the Southeast Wisconsin Festival of Books.

*Both books are in my hands now, with a delivery from the nice guy in the brown truck today. Holding books five and six is just as exciting as holding book one. And two. And three and four.

*An interview with a reviewer from the Milwaukee Journal Sentinel is on tap for tomorrow, and an interview with Milwaukee’s NPR is slated for Monday.

*The AllWriters’ Annual Retreat is in two weeks. 23 writers under one roof. Representing 9 states and 2 countries. And it’s been sold out since January.

*In a little over a month, I’ll be teaching in a prison in Pendleton, Oregon. The prison is the site of the last clock school in the United States. 25 inmates are reading The Home For Wayward Clocks, and we’ll be discussing it, and then I’ll be leading a writing exercise. My husband Michael cringes every time I say I’m going to prison.

*And then I’ll be heading to the Oregon coast and walking beside my friend, the Pacific Ocean. And writing. All day, for two weeks.

It all makes me giddy.

But then there’s the right side of the path.

*Brock Turner.

*Brock Turner.

*Brock Turner.

*His father. His father’s letter.

*The judge. The phenomenally ridiculous sentence because Brock is a Stanford student and “a really, really good swimmer.”

*The persistently silent mother.

*The friend from school, a girl, who is quoted as saying that not all rapes are caused by rapists, and tried to blame the rape on the victim.

*And the victim herself. Where is she? How is she?

*They say a rape is defined when the victim says no and the rapist doesn’t take no for an answer. But in this case, she didn’t even have the option to say no. She was unconscious. She woke up raped.

I’ve been posting about this on my Facebook page most of the week. I signed the petitions demanding the judge step down, asking President Obama to make a statement. And I’ve watched the comments that have shown up on my Facebook page and on the news articles. The rage and the sadness, I truly understand. The incredulity. But there’s also the eye for an eye demands. Those crying out for the rape of Brock Turner.

Do I believe in an eye for an eye?

No.

No one deserves to be raped.

Not the victims.

Not the rapists.

No one.

So then what do I think? Where does my rage take me?

Do I think Brock Turner needs to be punished?

Yes.

Do I think the father’s letter dismissing the rape as “20 minutes of action out of Brock’s whole life”, and the mother’s continued silence give a pretty good picture of what the Turner homelife must be like?

Yes.

Do I think this justifies what Brock did?

No. No. Of course not.

One of the nightmarish things I keep returning to is the fact that Brock, besides repeatedly raping this girl who was unconscious, filled her vagina with leaves and twigs.

Imagine that. Imagine what it must have been like for her with the rape kit in the emergency room. Imagine what it must have been like for her to watch, to feel, in every sense of that word, as the ER staff tried to clean her wounds, to remove the detritus.

What was Brock Turner thinking? Did he think it would hide the evidence? Or was he turning her into compost? What was he thinking?

Thinking about what he was thinking has been turning my thinking ever darker. And ever sadder.

And of course, being me, being the author of “Rise From The River”, my thoughts also go to the question, Was she on birth control? If not, was she given the morning after pill? Or is it possible that a child was conceived? Conceived in a bramble of rape and leaves and twigs.

Oh, imagine that.

On my walk on the three mile loop, on the Respite, I veered to the left, stayed a while, veered to the right, stayed a while longer, veered to the left, but looked sidelong at the right.

For the last half mile or so, I forced myself to walk down the middle. Straight down the middle. Where I could reach out and touch the left and smile. Where I could look at the right, lift it up, examine it, and then put it back down. Put it back down. Put it back down.

Though I know I won’t put it down for long.

In a student’s story tonight, when I got back to work after my 3-mile Respite of left, right, middle of the road, she wrote, “Jesus calls us to take God’s love outside our walls, to the hurting world.”

I am not a religious person.

But boy, did “hurting world” ever resonate with me.

That’s why I wrote “Rise From The River”.

And that’s why I won’t put the right side of the path down for long.

Michael said to me last night, “Why do they keep trying to say that the rape victim could be your wife or your mother or your sister or your daughter? Why can’t they just say that the victim is a person, why can’t that be enough?”

I said because “they” are trying to make it personal. They’re trying to make it real.

And I wanted to say, “Because you don’t know. You don’t know what it’s like. And to make a difference, you have to know what it’s like.”

And that’s why “Rise From The River”. I tried to bring knowledge and experience to a hurting world.

Brock Turner is evidence of our hurting world. His father is evidence. His silent mother is evidence. The judge…so much evidence.

And the girl. The girl with the twigs and the leaves. She’s hurting the most of all. Where is she? Is she all right?

And I’m hurting too.

I don’t want to be. I want to be walking firmly on the left side of the path. I want to be dancing on it. But Brock Turner et al won’t let me.

So for now, I’m going to settle for striding down the middle. I’m going to enjoy the excitement I have coming, what I’ve worked so hard for. I need to do this.

But I’ll keep an eye on the right. On Brock Turner. And on trying to figure out how best to help this hurting world.

 

The End (Not Yet)

“It ain’t over ‘til the fat lady sings.”

–          Colloquialism

 

And I’m not singing.  Not yet.

On Monday, I finished the fifth draft of my new novel, “Rise From The River,” due out by Main Street Rag Publishing Company on March 1st.  Four readers were diligently reading the fourth draft while I worked on the fifth.  Two readers are done; one did nothing but sing my praises (he won’t be asked to be a reader again – there’s always something to find) and one found an age discrepancy.  I had two characters who were four years apart in age celebrating first communion together when they were both supposed to be eight.  Oops.  The two others are still working their way through.

The fifth draft didn’t take me long.  One day short of a month.  It helped that I had a week off from teaching when I was on book club tour with “Learning To Tell (A Life)Time,” and had a lot of time to sit in my hotel room and work.  The new draft also only grew by 26 words.  This is a sign to me that I’m just about done.  To some, it would be a sign that it is done, but…not quite yet.  If I’m still adding words, it means I haven’t finished saying what I have to say. When I was twenty pages away from the end, I also realized there was another scene I wanted to add.  The persnickety in me won’t allow me to just go back and add it in.  There’s that ripple effect to deal with – putting a scene in might throw another one just a bit out of whack. So it’s back to the beginning again on Monday (I always start new projects or new drafts on a Monday) and we go through it again. And again, at least a few more times. I also need to hear what the last two readers have to say.

It took me three years to write “The Home For Wayward Clocks”.  “Enlarged Hearts” took two, and “Learning To Tell (A Life)Time” took just over two.  And then there’s this book. Oh, this book.

The very first full draft of this book was completed in 2006. But the book actually began back in 1998.  I started it. I stopped.  I started it.  I stopped. It’s had several different metamorphoses, several starting points, several characters.  The only character who has remained constant is the main one, Rainey.

All novels are hard to write.  They are the ultimate marathon in the fiction writer’s world.  You have to live with these characters in your brain all the time. They don’t, or won’t, go away.  You take a shower, you think about them.  You drive to the grocery store, you think about them.  You go to sleep, you think about them.  You work, you live, you interact, you watch television, you read books, you walk your dog, you watch your son get married, you bury your mother…you think about them.

And in my case, I also write stories, I write poetry, I write other books…and I think about them.  This novel has never been far beneath my surface, although I’ve pushed it back down at least a dozen times.

And then, in March of 2013, I drew it out of my surface, fully into my heart, threw it on the screen, and began to work in earnest.  This time, I didn’t back down.  And let me tell you, this book has made me SWEAT.  The original first completed draft, written back in 2006, was 82,003 words.  The fifth draft, finished last Monday, weighed in at 118,451 words.  That’s a lot of growth.

Of all the emotions that we humans can feel, the one I have the hardest time with is anger. I don’t like anger.  I would rather feel sad than angry. Anger in my personal life makes me turn and walk away, find someplace quiet where I can sit and wait to feel calm and in control again. Even little anger – anger at an unfair speeding ticket, anger at a bill that is incorrect – is hard for me to deal with.  When I try to face off with whoever or whatever it is that is making me angry, I cry.  Which makes me angrier.  This is why, when there is a wrongful bill or something similar that has to be dealt with, especially on the phone, I let my husband do it.  When I most want to yell, I weep.

This book was born in 1998 out of anger.  Stillborn, really, because I kept snuffing out its life.  I kept walking away.  When I fully embraced this book in 2013, the anger was still there, and throughout the time I’ve worked on the book, the anger has grown.  Things in the news that relate to what I’m writing about left me thoroughly wrung out.  But this time, I didn’t walk away.  My writing muscles, much more matured than they were in 1998, are in control.  My anger feels channeled, not flinging in all directions.  Rather than encompassing the work, the anger fuels it.  It’s a solid hum that keeps me moving forward.

There’s a joy in knowing what I want to say. What I want to show.

So what’s different now, than in 1998?  Why am I able to write this book now?  Knowledgeable anger.  I think that’s the change.  When I started this book in 1998, it was a rant.  I was run over with rage.  What I wrote at that time was absolute emotion, to the point of being incomprehensible.  Just as I dissolve on the phone, I dissolved on the page, and all that was left was a mess that didn’t do anyone any good.

But for me, writing is about doing someone, maybe everyone, good.  It’s about bringing change and addressing issues and solving problems.  I couldn’t solve a problem when I was that overwrought with anger.  I couldn’t solve a problem when I had to walk away and be quiet in order to feel in control of my own self again.

And now, I know what I’m doing.  Besides feeling an emotion, I’ve supplied myself with knowledge.  There’s been research and discussions and questions and answers. It’s no longer just about the anger, it’s about seeing an issue in its totality, from all sides, and showing it with a new translucence so that others can see it from all sides too.

I know some would say to me that I must have been angry when I wrote Clocks and Lifetime too. After all, those books are about abuse, and abuse should make me angry.  Well, yes and no.  Those books were written out of a huge sense of concern and absolute amazement that such things could go on, and have gone on, and will go on unless we do something about it. Those books were written out of a sense of amazement that we could sit on this earth and live with each other and deny that we knew abuse was happening to our neighbor, our classmate, our brother, our friend.  Deny that we could have done anything about it.  And then we could point at the abuser and call him or her evil, which further removes us from our responsibility to each other.

What we claim we don’t know, we can’t do anything about.

So that’s why I wrote Clocks and Lifetime.  But this book…oh, this new book.  I’ve incorporated science.  And facts and figures.  Pros and cons.  And stark in-your-face reality.  Not Lifetime tv reality.  Not glossed-over politically correct verbiage.  No fun house mirrors, no twists on the truth.

Just the truth.

Draft Six starts on Monday.  With Draft Six, I am humming, and as I go through it, and the draft after, I know that hum will become progressively louder.  I’m filling my lungs this whole while.

And then I’m gonna sing.

Overflowing My Banks

“Death is no virgin; it has had many lovers.  Death is a slut.  It’s we the living who have yet to have our morbid cherries popped.”

–          Sam Howie, “Get Your Dead Ass Up”

 

I truly doubt that my friend from graduate school, Sam Howie, ever thought, Man, when I die, it’s going to bring Kathie Giorgio to her knees. Then again, I don’t think I ever thought that either.  We were friends.  We met at grad school.  I stepped on to campus, he asked me for my name, he recognized me from some stories I had published, and he told me I was going to rock the system.  I was terrified up until that moment.  Then I stayed. I rocked the system.

After grad school, we became long-distance Facebook friends.  I teased him when he got his AARP card application a few months before he turned fifty.  He teased me that I’d gotten mine first – I was three years older.  I cheered when his short story collection was published by Main Street Rag Publishing Company.  He cheered when MSR took my first novel…and then my collection…and then my second novel.  Sam was a light in my life, who always seemed to show up at just the right time.  We didn’t talk every day, we may have even gone weeks without thinking of the other.  But Sam always lit me up.

And then he died. On April 23. Not even a month ago.

A couple weeks before Sam died, he posted on Facebook that he was upset about something that was happening with his son. Sam was always sodden with love for his boy.  We sometimes compared our soddenness, his for his son, me for my four.  My youngest is close to his boy’s age.  I noted the post and told myself to make sure I said something to him later.  I’d been through divorce and shared custody; I had some understanding of what he was feeling.  But my life is busy and I never got around to it.  Then I noticed that Sam posted a thank-you to a friend, for stopping by and talking to him.  I was relieved, and reminded myself again to contact Sam.  And then, a few days later, I received a notice from my grad school that Sam was gone.  Passed away suddenly in his home.  That’s all I know.

I’m scared of what I don’t know.

It’s taken me until now to admit that I am in full-blown grief.

But it’s also taken me until now to realize that it’s not all just Sam.  Grief is interwoven into a jumble of things.

Earlier today, I emailed my publisher.  I asked him what would happen to Sam’s book, now that Sam was gone.  I honestly didn’t know.  He said, “Most of the time, when one of our authors dies, demand for the book dies as well. I keep whatever I have on hand for sale. After that—specific instructions aside (which I have never been given by any of the families of authors who have died) I let it drift off into oblivion.”

Oblivion.  I don’t know how Sam died.  In many ways, it already feels like he’s drifted off into oblivion.  But I don’t want him to. I don’t want his book to.

And in the end, I don’t want to drift off into oblivion either.

I am in La Crosse, Wisconsin, right now.  On Tuesday, I appeared at a book club in Eau Claire; on Wednesday, I appeared at a book club in La Crosse. Tomorrow, I am appearing at a reading/signing at a book store here.  Tonight, I went to dinner at Perkins. I sat in my booth, ate eggs that were soft-fried when I ordered scrambled, and I read Sam’s book, a short story collection called “Rapture Practice”.  I read the above passage and had to stop for a moment. And then I cued in on a conversation taking place in the booth in front of me.

Three women sat there, ranging in age from early fifties to mid-sixties.  They laughed a lot during their dinner and it made me smile.  Then one of them said, “We need to come up with a book for book club.”

She went on to say, “Mary told me she read this book that she just couldn’t put down, but she could never ever recommend it.”

“Why?” Woman 2 asked.

“Because,” Woman 1 said, “it was dark. Twisted. You know.”

“Oh,” Woman 3 said, her voice deepening with certainty. “Real.”

“Yes,” Woman 1 said.

Then they went on to talk about a book on slavery, and one of them said that she felt that, really, the part where slaves were brought over stuffed into the bottom of boats, held there with chains, was really the worst.  “Once they were let out of the boats, their lives really were better here than where they came from.”

Agreement all around.

I had to leave the restaurant.

The book club in Eau Claire was amazing, a group of sharp, intelligent women, over thirty of them.  They asked me intelligent questions, engaged me in passionate dialogue, hit on so many chords in “The Home For Wayward Clocks” and “Learning To Tell (A Life)Time”.  And then they called me a “social issues writer.”  A “social activist writer.”

I could have cried.  To them, I wasn’t dark.  I wasn’t twisted.  I wasn’t even disturbing.  They got it.  I felt like they all looked at me and called my name.

I felt like they told me I was going to rock this system.

But these women in Perkins – well.  These women in Perkins. A few weeks ago, someone told me about an article that claimed the woman who wrote “Fifty Shades of Gray” made 50 million dollars in 2013.  I have been horrified (and grieving) ever since.  Enough people were reading Fifty Shades to give this woman 50 million dollars. Fifty million for a book that glorified women’s submission, that made a controlling, abusive relationship “romantic,” that told women that it was a good thing to have a man tell you what to do, what to wear, what to say, who to see, both in and out of the bedroom.  I’d read that women’s book clubs read this book.  Mother/daughter book clubs read this book.  Mothers looked at daughters and said, “This is romantic!”

The women in Perkins would do this book in their book club, and they wouldn’t find it dark. They wouldn’t find it twisted.

I do.

Is it a coincidence that at a time when there are articles in the news every day about women being thrown out of influential jobs in editing and journalism, women are comprising less and less of the publishing industry, phrases like “authentic rape” are being tossed around in our government, and women’s rights to their own bodies are being challenged, that this book was pulled out of a self-publishing dungeon and glorified?  At a time when women should be gathering their strength and shouting at the top of their lungs, they are instead reading Fifty Shades and talking about how slavery gave “the blacks” a wonderful new life in our country?

The book is being read.  There are new definitions of rape on women every day in the news. And I am grieving.

But…the book club in Eau Claire.  There is hope.  On Wednesday, I went to the book club in La Crosse.  This is a book club that has done every one of my books.  And as I listened to their questions and welcomed their comments, I felt hope rise again.

Even as I grieve.

While staying in Eau Claire and La Crosse, I’ve been working on my new novel, “Rise From The River”.  Here in La Crosse, the Mississippi River is at flood stage.  I can hear it from my hotel room when I open the window.  And this afternoon, I took a break from writing and went in search of the river.

I have a favorite park here.  It’s called Pettibone Park.  When I drove there today, most of it was barricaded because it was under water.  But I was still able to get to a mostly submerged beach.

I parked in the lot and as I crossed the street to the river, I heard a strong buzzing sound.  And then something flew by me, so close, I felt the air move.  I saw a white head and a phenomenal wing span.

I was nearly bowled over by a bald eagle.

He flew in front of me and landed on a tree branch.  I am scared of birds, and this was a big bird, but I wanted to get closer.  As I moved toward the tree, he preened, and then he held still while I took pictures.  And then he took off.  I was so entranced, I couldn’t even aim my camera for a photo of him in flight.  I could only look.

Oh, lovely.  I’ve never seen a bald eagle before, except in zoos. There was so much strength in those wings, in those eyes.

I turned toward the river and it was indeed flooding.  Trees stood in water.  A park I was able to drive around last year was shrunk to the size of this teeny beach.  But the river was quiet.  There were no waves crashing, like at the ocean.  She whispered as she took her ground.  I took off my shoes and socks and waded in, even though it was freezing. I didn’t feel in any danger.  The river was quiet; a bald eagle stopped just short of smacking me silly.  I was safe.

As I looked at the river, I thought, She’s encroaching her banks.  And then I thought, HER banks.  These are hers to encroach.

And somehow that turned me back to my own new book, a book with River in the title.  And I thought, I’M encroaching banks.  And they are mine to encroach.

I want to eat quietly away at the banks where women read about submission and call it romantic.

Well, maybe not so quietly.  But you know, sometimes you need to learn from a river.

And so I grieve.  I grieve the loss of a friend who lit me up more times than I can count.  I grieve the apparent stepping backwards in feminism in our country, not just being cut down by men, but by women who are buying into something we’ve already learned the hard way is wrong.  I grieve a publishing industry that glorifies the raping of women, by clothing it in “romance”, and having the craftiness of using a book written by a woman.  I grieve the loss of reading intelligence in our country.

But when I find it, I rejoice in it.  And I always seem to find it.  Again and again. Or it finds me.

Even as I grieve, I find hope.  Tomorrow, when I wake up, I will sit back down at this desk and I will keep on working on my River book.  I will listen to the Mississippi. Today, I saw a combination of incredible strength (the eagle) and sincere steadfastness (the river).  I hear the women in Eau Claire.  I am a social issues writer.  I am a social activist writer.  I have banks to encroach.

And Sam.  Oh, Sam.  I am so sorry I didn’t post, I didn’t email you, I didn’t bring you the light as you so often brought me.  I am hanging on to your book with a grip so tight, my wrists ache.  You said to me, “You’re going to rock this system.”

And I will. With your light behind me. With your strength and sincere steadfastness.  And in your memory.

When Will The Story End?

You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard.  When was writing ever your profession?  It’s never been anything but your religion.  Never.  Since it is your religion, do you know what you will be asked when you die?  But let me tell you first what you won’t be asked.  You won’t be asked if you were working on a wonderful, moving piece of writing when you died.  You won’t be asked if it was long or short, sad or funny, published or unpublished.  You won’t be asked if you were in good or bad form while you were working on it.  You won’t even be asked if it was the one piece of writing you would have been working on if you had known your time would be up when it was finished.  I’m so sure you’ll get asked only two questions. 

Were most of your stars out?  Were you busy writing your heart out?”

–          J.D. Salinger, from “Seymour: An Introduction” 

 

Every now and then, I hit a rough stretch, and this is definitely one of them.  It started a couple weeks ago, when at a doctor’s visit, the nurse didn’t ask me for the date of my last period.  Instead, she looked at me and said, “You’re postmenopausal, right?”

Ouch.

This was followed quickly by a flare-up of fibromyalgia.  Everything hurt, everything raged. In particular, my back went into spasms so harsh, they took my breath and my voice away.  Even my collarbone hurt.  I didn’t know collarbones could hurt.

Then in fast succession, I found out the following:

1)      My ex-husband was in the hospital, being treated for gangrene. He is my age.

2)      A good friend’s husband died in his sleep. He was my age.

3)      A good friend from grad school died suddenly.  He was three years younger than I am.

I suddenly felt immersed in my own mortality, surrounded by encroaching old age and illness, and inevitable death. Instead of seeing death as a shadow far away on the horizon, barely visible between mountain peaks, pushed away by a protective ocean, death came to perch on my shoulder, a bizarre combination of Poe’s raven and a shrieking seagull.

The passing of my grad school friend was particularly difficult.  Sam was the first person to talk to me when I set foot on Vermont College’s campus.  He started a year before me.  He asked me my name, and when I told him, he recognized me from reading several of my stories published in literary magazines.  He put a hand on my shoulder and said, “You are going to rock this system.”

The people who rescue you during times of great fear are always held dear.  All I wanted to do that day was get back on a plane and go home.  But Sam’s words kept me there. And I will forever be grateful.  He was right, by the way.  I did rock the system.

This past Monday, the day I found out about his death, I sat down at my desk to start on Draft 5 of my new novel.  But as I stared at my screen, I just kept thinking, What’s the point?  What if I don’t live through the end of this book?  Why put such hard work into something when maybe I should be outside, smelling the roses (which are still nonexistent in a winter-stuck Wisconsin), or maybe I should be talking and laughing with my 13-year old daughter, or visiting my older kids, or playing with my grandchild.

In the end, I took a deep breath and forged ahead.  Draft 5 is underway.

But another thing happened too.  There is an article being passed around the Facebook hive about a woman who published several books of chicklit, then didn’t have her contract renewed.  She decided to go to grad school, earn her MFA, and write “serious fiction.” She graduated and started shopping her serious novel.  No one wanted it.  So then she rewrote it with a chicklit style and she walked away with five different offers from agents. Throughout the article, she maligned the literary genre, saying that to write it, you have to give up any idea of plot, you have to give up your personality, your sentences have to be unadorned and plain, and you can’t be funny. The comments following the article were vitriolic, calling those who write literary fiction snobs and academics that don’t have a clue what readers really want.

I write literary fiction. My books and stories have plot, and plenty of it.  My work has personality, my sentences are lyrical, and sometimes, when it calls for it, I can be really funny.  While I have my degrees, I don’t consider myself an academic.  It’s sort of like being a non-practicing Catholic, except I am a non-practicing academic. I have the background and experience of an academic, but I don’t teach in a university setting. I own my own creative writing studio, AllWriters’ Workplace & Workshop, very deliberately named so that all writers of all genres will feel welcome there.

But when I read that article, all I could think was if this is what people truly believe about literary fiction, is anybody reading it?

That left me staring at the screen for a bit too.  I write to be read.  Am I?

So, a rough stretch.

Throughout the writing life, we all get hit with some pretty hard and negative questions, which can lead to the blank stares:

1)      Writers are rarely able to support themselves with their writing.  So why am I working so hard at this?

2)      This book (story, poem, memoir) might not ever be published. Why am I making this effort?

3)      My book (story, poem, memoir )is published, but is anyone reading it? 

And a new question for me:

4)      Will I be like my friends and just suddenly keel over and be gone, before I have the chance to finish this book? If I die before I finish this book, how much time will I have wasted?  How much time do I have left?

Oh, yeah. Rough week. How much time do I have left?  I’m working on a novel which still needs several more drafts, and I have at least three more novels already in my head, plus another short story collection.  Will I have the time to give birth to them all?

So I tried to answer all of these questions, most of which I already had answers to, but I just needed to be reminded.

1)      Because I love it.

2)      Because I love it.

3)      Yes, people are reading my work.  Think about it.

With question 3, I made myself remember the following:

The 5-star review of “Learning To Tell A (Life)Time” on Goodreads: My wife gave me the book and just said “read it.” I hadn’t heard of the author (though now I’m going to get her other books), but I decided to start it late one night just to see what I thought. I ended up spending the next day (luckily I didn’t have to work) reading. I couldn’t help it.

I remembered presenting my short story collection, “Enlarged Hearts,” at the Wisconsin Book Festival.  Afterwards, I was approached by a woman who hugged me, then burst into tears.  She said her sister committed suicide, and through the story I’d read, she now understood why and she had closure.

I remembered going to visit a book club in Indiana who read “The Home For Wayward Clocks”.  They met in a private room in a restaurant.  When I walked in, they looked up, all twenty-something of them, and then they gave me a standing ovation.  They presented me with a broken clock (just the type that James would have loved) and a bottle of wine.

That brought me to tears all over again. Yes, I am being read.

So I love it, I love it, I have readers.  But now there’s that awful fourth question. I know that I have less time in front of me than I have behind me.  I’m fifty-three years old; chances are good that I won’t live to be 106.  Will my time and energy be wasted if I keep writing this book and before it’s finished, I die?

Is it wasting time if you die doing what you most love?  Fully immersed in the life you chose to lead?

And those questions brought me to my favorite writing quote of all time, which I included at the top of this post.  I asked myself the same questions Seymour Glass asked his brother, Buddy.

“When I die, will all my stars be out?  Will I be writing my heart out?”

Yes.  Because, as I answered questions 1 and 2, I love it.  And it’s not a waste of time to do what you love the most, what makes you feel at peace in this world, what makes you feel like you belong and you are giving back.

My stars will be out.  I have so much more to say.