And so this week’s moment of happiness despite the news.
My day off this week was Tuesday, and miraculously, no “extras” were scheduled on the broad clear expanse of my calendar for that day. Normally, a day off is where I schedule speaking engagements, appearances, doctor appointments, or whatever else comes along that would disrupt my working schedule. But that Tuesday…nothing.
I had simple plans that I was really looking forward to. I was going to sleep until I woke up naturally, without the aid of an alarm clock. Breakfast would be leisurely, relaxed, taken in my recliner in front of the fireplace, while I read for fun, not for work. The only reason I’d get up before coming to the end of a chapter was to refill my coffee cup. Then I’d take a non-rushed shower, put on my oldest, most comfy clothes, sit down at my writing table (I love it – I’ve had it for over 20 years. It’s a teacher’s desk from England, circa the 1800s. I feel like I’m in good company when I’m there.) and work on a new story that I’d started the week before. I would write until I felt I was done, without paying attention to the clock. The rest of the day would include getting Starbucks, playing my favorite video game, Animal Crossing New Horizons, a little TV, then reading in bed before sleep.
Ahhhhh.
This all changed when I received an email from my poetry publisher, containing the galleys for my new collection, The Birth Of A Widow.
For those that don’t write, a galley is a mock-up of your book. You have to read through it, watching for any typos or mistakes, including computer-generated errors created by the software that set up the book.
For a writer, it’s kinda like having that newborn baby placed into your arms. You’ve seen the words in your head, then on the paper or screen. And now…you were going to see the real thing, including the baby’s face. The cover.
Normally, the galley is received with joy and excitement. But my feelings were different this time.
I saw the email before breakfast, so I still had my breakfast in my recliner. But my mind kept slipping toward what was waiting for me. Thoughts of working on the new story wandered back into that creative compartment in my brain. Instead, my trying to lose myself in the book I was reading was interrupted by my remembering the words I’d written over the course of a year for this book. And remembering the events that caused the words.
The Birth Of A Widow is a book I never ever dreamed of writing. I never wanted the situation that presented the opportunity and knowledge and experience to write it.
But I wrote it because it took hold of me. It became something I had to do in order to recover.
I arrived on the Oregon coast for my yearly escape 66 days after my husband Michael died. That escape is reserved for writing, writing, and more writing. But that year, I didn’t know if I would be able to write a word. I hadn’t been able to, since finishing my latest novel while sitting in Michael’s ICU room, reading the entire book out loud to him as he lay with his eyes closed, and with no response, in his bed.
In Oregon, I walked out to greet the ocean. Except I couldn’t find the words. Not even to speak to Ms. Pacific.
I took a walk, came back inside, and sat down at the writer’s desk in that magical little house. And I wrote a poem. About not being able to speak to the ocean. And then, what she said to me.
The next morning, there were three more poems. I wrote them without intent, without a topic, without an idea. But the opening line always showed up.
Without a doubt, I was overwhelmed. But the words came and I wrote them. I decided, as I sat with the ocean by my side, that I would simply allow these poems to come. I didn’t plan them; they just showed up. I would write them until the first anniversary of Michael’s death, and then I would stop. While I couldn’t control the arrival of the poems, I felt like I had to control the passing of time. If I didn’t, I would write them forever, and never move on to something else.
That anniversary arrived when I was back in Oregon this past June. I actually didn’t write the final poem that day; it was the only poem I wrote where I sat down with a plan, but the plan wouldn’t come. But the morning after the anniversary, the start of the second year without Michael, I woke up and wrote the final poem.
It was a hard decision to submit the book to my publisher. The book is more intensely personal than I’ve ever written. There’s a reason I usually choose to write fiction, something I can write by looking at it outside of me, rather than looking inside of me. But I thought of how writing the poems helped me. Maybe they could help others. I decided to submit the book to the publisher and let them decide.
They said yes in 48 hours. We also decided to include an essay I wrote, called “The Cliché”, which placed in the Wisconsin Writers Association’s annual contest.
On Tuesday, when I opened the file, I hadn’t looked at the book since I submitted it. Suddenly, there it was again, carefully sculpted into pages.
And there was the cover. Artwork gifted to me by the loveliest of writer friends, created by her, and somehow giving a face to my words.
I spent the afternoon reading, reliving, weeping. A far cry (ha!) from how I planned to spend that miraculous Tuesday.
But the day still felt miraculous. Something beautiful came out of such a horrible experience. Well…something beautiful came out of the experience, but it also came out of me.
There were only a few computer-generated errors that needed to be fixed. I returned the galleys to my publisher.
I can tell you it’s very hard and conflicting to be proud of a book that was born because of the traumatic death of your husband. It’s hard and conflicting to be happy that it’s going to be released. That evening, as I sat in my recliner in front of my fireplace, all other lights turned off, and I just watched the flames, I wrestled with the wonder of it, if that happiness and pride meant that I was happy that Michael died.
Yes, I actually wondered that.
But by the time I settled into bed, my mind was settled too. Probably because I smacked myself upside the head.
I would give up, not only this book, but every book I ever wrote, every story, every essay, every poem, if it meant Michael was still here. The words “happy” and “Michael’s death” will never appear together.
But I can be happy with the lovely things that have come out of such a dark situation. It’s truly the way that I keep moving ahead, one step after the other. It’s the way I make sure that I don’t become lost too.
The book was written. It will be released soon.
And yes, that helps. Despite. Anyway.
(Those six words, at the end of every blog, have never rung truer.)



















